Clean Water, Clean Air

When I hear the "Green Jobs, Green Jobs" mantra I wonder about a couple things.

First and foremost is whether or not the so-called green jobs really are "green" or if they're simply being repackaged - like changing the name of Kellogg's Sugar Smacks to Honey Smacks... without changing the nearly 50% sugar content (see Consumer Reports - Health.org)...

I also wonder how we're going to convince the public to buy/use green alternatives since they're bound to be more expensive (I've a suspicion that the greenwashed products will be even more expensive than the actual green products since it's marketing behind the green, instead of an actual product revision... but that may just be my cynicism surfacing).

Even when there are real green alternatives, there is often great resistance to implementing them.

I listened to a MNPR story this morning about the proposed Prairie Island power increase.

Xcel Energy has made the decision to increase production at the Prairie Island plant - beyond what the plant was built to safely produce - instead of choosing to use renewables to meet increased demand, because it was CHEAPER.  In reality, the expansion of nuclear power is only cheaper when you close your eyes to the environmental effects - the unsolvable environmental effects.

The most chilling aspect of this increase is the increased waste problem. Nuclear waste isn't like other waste. It isn't feasibly recycled; it cannot be filtered out of the air or the water; it lasts as near to forever as matters to any who are alive now...

The proposed increase in power at the Prairie Island facility would not only cause significant stress on the structure of the power plants (think - higher pressure, higher heat, pipe corrosion, pipe cracks...), but also would generate many more casks of spent nuclear waste. This potentially increases the risk to anyone living near or downriver from the power plant.

Currently waste casks sit on a concrete pad next to the plant, on an island in the Mississippi River which is the source of drinking water for many communities downstream. There currently is only a small amount of leakage of radioactive materials into the air and water - in an amount that is deemed by some to be safe for human exposure. Others have concerns that the monitoring may be insufficient, and still others wonder if any additional exposure to radioactive materials, beyond what occurs naturally, is really safe. The proposed increase of power is expected to increase the radioactive discharges into the air and the river by 10 percent.

The Minnesota Public Utilities Commission has already approved this "uprate" at Xcel's other nuclear plant at Monticello. The federal government is expected to approve it. Next on the docket is the Prairie Island decision.

It's up to the Minnesota government to stop this risk. We should be telling our representatives and senators to vote no on this expansion. Make a real commitment to our health, and our planet's health. Keep us safe from this kind of risk. There are alternatives to nuclear power and its deadly waste.

More Bird Art

WoodBird, 2008, encaustic on driftwood, 6" x 2" x 30"

Another piece working with bird imagery - albeit in a very abstract manner. Although it is not very apparent in the photograph, the lines for the bird follow the grain patterns (head and body) and cracks (legs and feet) in the wood. You can sort of see this in the abstract feet of the bird. On the actual piece of driftwood the grain is very noticeable - with some of the grain swollen by the long submersion in the Mississippi River, and some parts eaten away by that submersion. In the photograph the dark circles are knots in the wood.

Some of the colors here are from my own paints. The colors that I have been making have mostly been from pre-ground purchased pigments that I have mixed with melted beeswax and damar resin.

When Abelisto's hives get established I will try using our own beeswax and propolis instead of damar resin. Propolis is a substance created by bees that is made up of resins found around the blossoms and buds on trees and at sites of wounds on trees. The bees change it chemically a bit, and use it as "glue" for sealing gaps in the hive and covering foreign objects. They use it to weatherproof the hive. Propolis is what gives beeswax its color and odor. Abelisto thinks that early encaustic painters probably did not add tree resins to their paints, but that they incorporated propolis into the mixture. It could have been purposely added, but most likely it was just part of what would have been considered wax, which would normally happen in a wild or unframed hive. If an analysis of the paints in early encaustic paintings was done, the scientists may have mistakenly thought the resins in the paints had been added - especially if the research was done by someone who did not know that much about bees. If a person was using purified beeswax you would need to add resins. The resins keep the wax from "blooming" when subjected to temperature changes (think refrigerated chocolate bar).

Just thinking about it I realized that since I am mixing my paints using unpurified beeswax I may not need to be adding damar crystals anyway. The ratio of wax to damar crystals should be between 8:1 and 10:1 by weight.

Of course I could be totally wrong about this. I will have to experiment with it. One thing is for certain; any paintings I do will certainly be subjected to pretty substantial temperature changes. Right now the house is hovering around 60 degrees (on purpose, that is what we set the thermostat at - outside is below zero, for the 13th day in a row), and during the summer it sometimes gets above 90 inside (we do not use air conditioning). So if my paints are going to be prone to blooming I am certain to see it.

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Bird Art

Heron, 2008, encaustic on driftwood, 12" x 4" x 28", views of both sides of sculpture

The Flock, 2008, encaustic on paper, approx 17 x 22", mostly handmade encaustic paints. Work-in-process.

Don't have much time for posting right now. I am teaching an advanced graphic design class in a few minutes. Just wanted to get these two images up of the most recent work I have been doing.

The Flock is a painting I have been trying to actualize for months. I wanted to speak to diversity in community and this image (out of all the images inside my head) seemed to keep coming to the front of the stack...

Heron was a more spontaneous creation. Months ago - before the world here was covered in ice and snow - Abelisto and I went beach combing at a park along the Mississippi River. I picked up one particularly gnarly piece of driftwood (probably a root section) thinking that some creature was present in the wood. After months of laying around in my studio it finally decided to let me know what it was and that I was holding it upside down when I would pick it up. Initially I thought the thicker part was the head/top part and the long skinny part was the tail... shows you how wrong you can be when you make unsupported assumptions...

more later

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Pepin Wisconsin

This weekend Abelisto and I went beachcombing. We like to go up and down the Mississippi and gather interesting debris (natural and man-made) for art, and for just collecting.

We ended up stopping at several gravely beaches. Abelisto found the best agate that I have ever seen come out of the Mississippi. It was over an inch in diameter and this translucent deep red color.

We found bones, river glass, and interesting rocks. I do not know exactly what I will do with it all, but something will come from it, I am sure.

We found some interesting driftwood too. That I will likely use in my encaustic work. I recently attended a show at SMU of an encaustic painter that works on weathered boards which was inspiring. She did not work on driftwood, though. I think that the wood we found will make interesting foundations for a different sort of painting than I have been doing.

We ended up driving up river on the Minnesota side of the river, and back down on the Wisconsin side. It always seems strange to me to be able to look across the river and say with certainty, "That is another state, right there, those hills that I see..." Usually borders like that are much too arbitrary to say those kinds of things. Even at the Grand Canyon, I could not be certain what state claimed the territory I was seeing across the gorge, since the Grand Canyon twists and turns back on itself so much. Not so the Mississippi. I know which state those bluffs I see are.

Anyway, we went across the river at Red Wing Minnesota and headed back downstream. We stopped in Pepin Wisconsin (near the birth place of Laura Ingels Wilder, if you were curious). We found a very interesting and vibrant arts community in Pepin. They were all so friendly and interested in us - we were, of course, driving the art car. We ended up being invited to join their fledgling arts association, urged to dine at the local eatery before it closes for the season, and to attend a music performance next Saturday.

I think we will do all three...

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Mount Trempealeau

One more river fog photo

This one is the Mississippi River with Mt. Trempealeau (the largest sandbar on the river) taken from the Minnesota side, a few miles downriver from Winona Minn.

We get a considerable amount of fog throughout the bluffs that border the river here. I believe this is Radiation fog (fog formed by the cooling of land after sunset by thermal radiation in calm conditions with clear sky. The cool ground produces condensation in the nearby air by heat conduction. Radiation fogs occur at night, and usually do not last long after sunrise).

In the early spring we get Advection fog (fog caused by moist air flowing over snowpack). It happens when it gets warm one day and the air fills with moisture from the melting snow. The next morning all the bluff tops will be covered in hoarfrost, every tree, every dried weed stalk, every blade of grass. It is amazingly beautiful and haunting. I have a photo of a spruce tree covered in hoarfrost, I will have to try to find it and post it here...

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Another Photograph

Mississippi Bridge

You can sort of see the second rainbow just to the left of the main one.

The bridge is the one crossing the Mississippi River at Winona Minn. You cannot see the river from this view. We tried to get closer to the bridge/river before the rainbows vanished, but they were gone in a matter of minutes. They reappeared later, but we had parked the car (with the camera in it) and were on bicycle by that time. I love to ride just after a rain, or in a light drizzle rain (as long as it is not a cold rain).

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Some Photographs

Lake Fog
A lone fisherman and bird, out on Lake Winona early one morning (5:30 a.m.)

River Fog
Fog on the Mississippi River, near Trempealeau Wis. Photo taken from the Minnesota side, just downriver from Winona.

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