Abelisto has photos of the swarm in a neighbor's tree.
02 July 2009
Swarm
Abelisto's bees swarmed today. It was amazing. At first I was sad that we did not "catch" them. But then I decided that it was cool that we contributed to the wild bee population!
Abelisto has photos of the swarm in a neighbor's tree.
Abelisto has photos of the swarm in a neighbor's tree.
10 June 2009
Why I don't post images anywhere but here and my website
Here's a good reminder to READ the agreements you authorize over the internet - even if they are 20 pages long... and why I don't load my images on Facebook or MySpace or any social network or gallery site.
I hope Blogger hasn't changed their agreement since I last read it. I guess I'd better check.
www.austinkleon.com/
I hope Blogger hasn't changed their agreement since I last read it. I guess I'd better check.
www.austinkleon.com/
06 June 2009
FASEM Show
FASEM is the Fine Artists of Southeast Minnesota. There's going to be a show in June & July here in Winona and one of my mosaics are going to be in it - Mackenzie in the Garden with Bees.


Labels:
Art,
Art Practice,
Art shows,
Mosaics,
Winona
Location:
Winona, MN, USA
28 May 2009
Single-payer Health Care Plan
I have to admit that I was behaving irresponsibly in regard to the Single-payer Health Care Plan. I was relying on the fact that people I trusted politically said it was a good thing and wanted it, so I should think it was a good thing and I should want it. I just did not want to do the background research about it.
Well this youtube movie gave me enough information that I will go ahead and research it a bit. If the claims in this slideshow are correct, I wholeheartedly want single-payer health care.
So how do we convince our government that we NEED this health care policy? How can we make our voices heard over and above the insurance companies? I think I need to be writing some letters.
Well this youtube movie gave me enough information that I will go ahead and research it a bit. If the claims in this slideshow are correct, I wholeheartedly want single-payer health care.
So how do we convince our government that we NEED this health care policy? How can we make our voices heard over and above the insurance companies? I think I need to be writing some letters.
19 May 2009
Transportation
Today I rode my bicycle to work for the first time this year.
I'd wanted to start doing that when school let out and Abelisto would not need to be hauling books and papers back and forth. But between the weather and other things that were going on, it did not happen until today. I almost did not do it today. I was running later than I like for biking. I like to go early enough that the traffic is less (and early enough to take a shower before sitting down to work).
I am always amazed as I start biking each year, at the intimacy with your surroundings that bicycling brings to you. You're intimately aware of the wind - it's either helping you or holding you back (and it always seems to be blowing down the hill as I ride up to the university). You're intimately aware of the surfaces around you, the textures and colors. You're especially aware of the gravel and sand since those things can cause you problems.
You notice sound and smells - cars driving up behind you, kids yelling and laughing and crying, sirens wailing, some nearby construction, newly mown grass, vehicle exhaust, the city swimming pool, french fries and grilled burgers at the local pub.
You are intimately aware of your vehicle - you notice the smoothness of the shifting (or the roughness, perhaps), the feel of the brakes engaging, the sound the chain makes running over the gears and derailers, that strangely compelling tick-tick-tick that multi-gear bikes sometimes make. You actually notice the energy drag that improperly inflated tires create. You notice the placement and comfort level of the handlebars and seat. You notice the relationship between sprocket size and ease of pedaling and speed and distance covered with each rotation of the pedal crank.
You become intimately aware of your own body - burning muscles, tight breathing, sweat trickling down between your shoulder blades, the tenderness where your posterior meets the seat, the trembling muscles in your thighs and calves, the giddy disconnect of exercise endorphins, the feeling that you are powerful and sleek (even when you're not).
A few days ago I told Abelisto I'd like to live in a car-free town.
Winona is small enough that you can get around on a bike or walk - at least most of the year (it's a bit rough in the winter when you've got either lots of snow or a bitterly cold wind chill or both). Unless you need to go up on the bluffs it's fairly flat riding/walking, something easily done even if you're out of shape.
If the neighborhoods had more of a mix of housing and commerce you could actually live without a car at all. Some of my kids have done so, one is doing it now.
We have bike bags on our bikes. Between Abelisto and I, we can get probably 6 or 8 bags of groceries on our bikes. Someday I want to get/build/rig up a bike trailer so that I could do more of my intown shopping on bicycle.
I'd wanted to start doing that when school let out and Abelisto would not need to be hauling books and papers back and forth. But between the weather and other things that were going on, it did not happen until today. I almost did not do it today. I was running later than I like for biking. I like to go early enough that the traffic is less (and early enough to take a shower before sitting down to work).
I am always amazed as I start biking each year, at the intimacy with your surroundings that bicycling brings to you. You're intimately aware of the wind - it's either helping you or holding you back (and it always seems to be blowing down the hill as I ride up to the university). You're intimately aware of the surfaces around you, the textures and colors. You're especially aware of the gravel and sand since those things can cause you problems.
You notice sound and smells - cars driving up behind you, kids yelling and laughing and crying, sirens wailing, some nearby construction, newly mown grass, vehicle exhaust, the city swimming pool, french fries and grilled burgers at the local pub.
You are intimately aware of your vehicle - you notice the smoothness of the shifting (or the roughness, perhaps), the feel of the brakes engaging, the sound the chain makes running over the gears and derailers, that strangely compelling tick-tick-tick that multi-gear bikes sometimes make. You actually notice the energy drag that improperly inflated tires create. You notice the placement and comfort level of the handlebars and seat. You notice the relationship between sprocket size and ease of pedaling and speed and distance covered with each rotation of the pedal crank.
You become intimately aware of your own body - burning muscles, tight breathing, sweat trickling down between your shoulder blades, the tenderness where your posterior meets the seat, the trembling muscles in your thighs and calves, the giddy disconnect of exercise endorphins, the feeling that you are powerful and sleek (even when you're not).
****************************************
A few days ago I told Abelisto I'd like to live in a car-free town.
Winona is small enough that you can get around on a bike or walk - at least most of the year (it's a bit rough in the winter when you've got either lots of snow or a bitterly cold wind chill or both). Unless you need to go up on the bluffs it's fairly flat riding/walking, something easily done even if you're out of shape.
If the neighborhoods had more of a mix of housing and commerce you could actually live without a car at all. Some of my kids have done so, one is doing it now.
We have bike bags on our bikes. Between Abelisto and I, we can get probably 6 or 8 bags of groceries on our bikes. Someday I want to get/build/rig up a bike trailer so that I could do more of my intown shopping on bicycle.
10 May 2009
Art vs. Cooking
I should not try to do too many other things at the same time I am working on art.
Today I boiled the rice dry (and I was standing only 15 or so feet from the stove) while drawing the cartoon for the next big mosaic. Fortunately although there was 1/2 an inch of scorched short grain brown rice at the bottom of the pan, I was able to save a few cups of the rice and the scorchy flavor it ended up with actually complemented the smoky, spicy chipotle seasoning in the black beans and tomatoes that I was serving with the rice. So we ate it anyway - I hate waste.
The cartoon is for a mosaic of an early-eighteenth century galleon (hoisting a pirates colors), sailing through a rolling, undulating sea - one of a four-panel commission I am working on.
The mosaic will be 44" wide and 37" tall, and must be that size to fit in the space it has been commissioned for. Unfortunately those dimensions don't match the dimensions of the ship, which is taller than it is wide, of course. So I am thinking of adding a 17th century map to the left and right edges of the piece, having the coastal water colors fade gradually into the sea and sky colors I am using in the rest of the piece.
Might totally change my mind, though. I'll have to sketch it out in a couple full-sized cartoons to see what I think.
Here's the sketch I did today. It only shows the center part of the cartoon. The ship is a bit foreshortened because of the angle the photo was shot at. It's a bit hard to see since it is on brown craft paper...

Today I boiled the rice dry (and I was standing only 15 or so feet from the stove) while drawing the cartoon for the next big mosaic. Fortunately although there was 1/2 an inch of scorched short grain brown rice at the bottom of the pan, I was able to save a few cups of the rice and the scorchy flavor it ended up with actually complemented the smoky, spicy chipotle seasoning in the black beans and tomatoes that I was serving with the rice. So we ate it anyway - I hate waste.
The cartoon is for a mosaic of an early-eighteenth century galleon (hoisting a pirates colors), sailing through a rolling, undulating sea - one of a four-panel commission I am working on.
The mosaic will be 44" wide and 37" tall, and must be that size to fit in the space it has been commissioned for. Unfortunately those dimensions don't match the dimensions of the ship, which is taller than it is wide, of course. So I am thinking of adding a 17th century map to the left and right edges of the piece, having the coastal water colors fade gradually into the sea and sky colors I am using in the rest of the piece.
Might totally change my mind, though. I'll have to sketch it out in a couple full-sized cartoons to see what I think.
Here's the sketch I did today. It only shows the center part of the cartoon. The ship is a bit foreshortened because of the angle the photo was shot at. It's a bit hard to see since it is on brown craft paper...

29 April 2009
Bees - NY Times Blog
Great post on bees and the world we live in - even though it's a bumblebee they've got pictured, not a honeybee.
I'm waiting to see what Abelisto thinks about it (the article, not the misidentified pollinator in the photo).
I'm waiting to see what Abelisto thinks about it (the article, not the misidentified pollinator in the photo).
Opinion
Olivia Judson: Guest Column: Let’s Hear It for the Bees
Published: April 28, 2009
You can set your watch by the openings and closings of certain flowers, but for real circadian synchronicity, it's the bees.
28 April 2009
Mackenzie in the Garden with Bees
23 April 2009
Article in the Winona Daily News
I was interviewed Monday night by a local reporter.
The story ran today. It's not bad at all, although she misquoted me slightly about survival and making art.
What I actually said was "once all our energies are not taken up with survival concerns, humans tend to make art and decorate their surroundings."
She also underplayed the mosaic part of my practice. I think it was that the encaustic made better demonstration photos and had a bit more mystery to it than chipping up glass and gluing it down.
She also did not mention that I am on the board at the Winona Arts Center - oh well, I tried to get it in the story...
The story ran today. It's not bad at all, although she misquoted me slightly about survival and making art.
What I actually said was "once all our energies are not taken up with survival concerns, humans tend to make art and decorate their surroundings."
She also underplayed the mosaic part of my practice. I think it was that the encaustic made better demonstration photos and had a bit more mystery to it than chipping up glass and gluing it down.
She also did not mention that I am on the board at the Winona Arts Center - oh well, I tried to get it in the story...
Art Department Blog
The Art & Design department where I work has a new blog that features student assignments/projects/work.
16 April 2009
Helen Levitt, Photographer, 1913-2009
Interesting piece.
I especially appreciate the observation that we tend to suppose a genius to creating art, a master status for an artist. There isn't, you know... neither genius or master. You just get out there and do it. If anything sets an artist apart from others it is a trained eye (ear) and an obsession. Like anything else, if it is important enough, you do it over and over and over - looking for ways to do it better. Some of us read every book and article on art like ours. Some of us make and make and make, honing our skills, practicing our praxis. Some of us study the HIStory of the art we do. Some of us strike up conversations with every other artist we encounter, picking their brains for ideas and inspiration. Some of us experiment and push boundaries - our own boundaries, our audience's boundaries, and the boundaries of the media we work in.
Some of us actually do get better. Some of us become masterful in skill and expert of eye. Not Masters, but masterly.
It's not as special as you might think.
Anyone can do it, with enough passion, enough work. Some do it better than others (and therefore are able to sell/show work - although much of what sells isn't particularly better than that which never graces a gallery wall or floor, just better marketed).
More thoughts later...for now you should watch this video.
I especially appreciate the observation that we tend to suppose a genius to creating art, a master status for an artist. There isn't, you know... neither genius or master. You just get out there and do it. If anything sets an artist apart from others it is a trained eye (ear) and an obsession. Like anything else, if it is important enough, you do it over and over and over - looking for ways to do it better. Some of us read every book and article on art like ours. Some of us make and make and make, honing our skills, practicing our praxis. Some of us study the HIStory of the art we do. Some of us strike up conversations with every other artist we encounter, picking their brains for ideas and inspiration. Some of us experiment and push boundaries - our own boundaries, our audience's boundaries, and the boundaries of the media we work in.
Some of us actually do get better. Some of us become masterful in skill and expert of eye. Not Masters, but masterly.
It's not as special as you might think.
Anyone can do it, with enough passion, enough work. Some do it better than others (and therefore are able to sell/show work - although much of what sells isn't particularly better than that which never graces a gallery wall or floor, just better marketed).
More thoughts later...for now you should watch this video.
Labels:
Art,
Art Practice,
authenticity,
critical thinking,
persistence,
research
31 March 2009
The undisciplined blogger
I need to catch this blog up to date... So here's a quick list of this month's tasks and projects - all the things I should have been blogging about this past month.
That's most of it.
Now that I've cleared the air and caught this blog up, maybe I can keep up with it.
March 6 - member's show at the art center, Flock is in it.
March 7 - moved bedroom upstairs in house to the room vacated when Nova & Mike moved out
March 8 - expanded studio to now totally fill first floor of house (except foyer, kitchen and bathroom)
March 11 - started teaching the mosaic class; 8 students (totally full on tools and space)
March 13 - opening reception for the members show at the art center
March 13 - received a commission for a large mosaic, planning and work to begin in June
March 18 - new SMU website went live, was supposed to take overnight to update; was live in 15 minutes and we haven't stopped running yet; just a few of today's web tasks were - faculty photos & bios/cvs, undergrad res hall images/floorplans (create new images, make flash files for each hall showing all floors and get them uploaded and linked), faulty search programming (thankfully Atomic Playpen got that figured out and fixed), numerous links added, created new graphics, typos corrected, forms updated and linked to, etc, etc... most of these remain "in progress"
March 18 - second mosaic class
March 19 - first Winona Arts Center board meeting - I've been asked to be on the board, I think...
March 20 - designed new Winona Arts Center logo, still waiting on the board for which version they liked, if any...
March 20 - gallery shift (volunteered for an occasional shift, staff is all volunteer at this point)
March 22 - received another commission for a mosaic, will be 4 panels totaling 12' x 42", work to begin next month, budget of $1,000 - $1,500 for materials, researching new suppliers and interesting glass options
March 24 - knowledge acknowledged presentation
March 25 - my dad's 80th birthday, or it would have been...
March 25 - third mosaic class
March 28 - reorganized studio(s), still in progress
March 29 - worked on Abelisto's second top bar bee hive (about 75% finished - needs to be totally finished this coming weekend, bees arrive soon after that...)
March 30 - started two more mosaics
That's most of it.
Now that I've cleared the air and caught this blog up, maybe I can keep up with it.
25 March 2009
Guerilla Art
This cracked me up...
Guerilla Artist Hangs Nudes Of Irish PM In Dublin Museums - The Times (UK) 03/25/09 (with slideshow)
Guerilla Artist Hangs Nudes Of Irish PM In Dublin Museums - The Times (UK) 03/25/09 (with slideshow)
12 March 2009
Art Show
Tomorrow (Friday, March 13th) is the opening of the Winona Arts Center Annual Members Show. The opening is from 5:30 to 7:30.
I entered a glass tile mosaic - Flock.
I entered a glass tile mosaic - Flock.
Labels:
Animal Ethics,
Art,
Art Practice,
Art shows,
gallery,
Winona Art Center
Location:
228 E 5th St, Winona, MN 55987, USA
Mosaic Class at the Winona Arts Center
Last night I taught the first of 4 2-hour mosaic classes at the Winona Arts Center. I have 7 students, all women. I have provided 12" square pieces of Wedi board, glass tiles, Weldbond, and grout. I also brought in tile nippers for the students that wanted to purchase them. One student had her own.
I started the class with a brief bit about the history of mosaics and some mosaic terms. I then explained some general mosaic design considerations, as well as the various methods of building a mosaic and showed them the examples of my mosaic work that I brought in for them to examine. The students then started going though the books I brought, looking for inspiration for their work. Once they had an idea I had them draw it on the Wedi boards - they are doing direct method mosaics - and select the glass tiles in the colors they wanted to use.
I explained soaking the tiles off of the paper and demonstrated cutting the tiles using the nippers. Everyone thought it was easier than they thought it would be to get good cuts. I explained that with mosaic it does not have to be perfect - it's a fairly forgiving art medium. We talked about the various shapes they might need to produce, how to get curved shapes and thin slices and what shapes to avoid using in their mosaic. I explained that I did not want them to get frustrated with their first attempt at mosaic work.
Some of them got started right away and ended up with several tiles glued down before the end of class, others were being more cautious about diving in. I think that any of them that come to all four classes will have no problem finishing a mosaic.
Only one student cut herself on the glass.
Today two of the students told me they really enjoyed the class and were very glad they signed up for it. One of them told Abelisto that they thought I was a good teacher. That was nice to hear.
I started the class with a brief bit about the history of mosaics and some mosaic terms. I then explained some general mosaic design considerations, as well as the various methods of building a mosaic and showed them the examples of my mosaic work that I brought in for them to examine. The students then started going though the books I brought, looking for inspiration for their work. Once they had an idea I had them draw it on the Wedi boards - they are doing direct method mosaics - and select the glass tiles in the colors they wanted to use.
I explained soaking the tiles off of the paper and demonstrated cutting the tiles using the nippers. Everyone thought it was easier than they thought it would be to get good cuts. I explained that with mosaic it does not have to be perfect - it's a fairly forgiving art medium. We talked about the various shapes they might need to produce, how to get curved shapes and thin slices and what shapes to avoid using in their mosaic. I explained that I did not want them to get frustrated with their first attempt at mosaic work.
Some of them got started right away and ended up with several tiles glued down before the end of class, others were being more cautious about diving in. I think that any of them that come to all four classes will have no problem finishing a mosaic.
Only one student cut herself on the glass.
Today two of the students told me they really enjoyed the class and were very glad they signed up for it. One of them told Abelisto that they thought I was a good teacher. That was nice to hear.
Labels:
Art,
Art Practice,
classes,
Mosaics,
teaching,
Winona Art Center,
workshops
Location:
228 E 5th St, Winona, MN 55987, USA
05 March 2009
Catching up on the mosaic progress
Thought I'd take a few minutes while I eat my lunch to get this blog caught up. I've finished the glass work on MacKenzie in the Garden with Bees. I also made a grout test - a 10" x 20" mosaic using tiles that represent the color range in this piece. Tonight it will have been sitting log enough for the adhesive to be dry. I will tape off parts of it and do grout color test strips. I think I will want to test blue-gray, light gray, medium gray and black.

On previous mosaics I've often skipped the grout test, but I've devoted enough time, energy and resources into this one I thought I would do it. I'm really bad about just doing things without this kind of prep. Most of the time it works out because I am good at visualizing. Sometimes I wonder if a test of this sort would have made a good piece even better. So with that in mind I'm taking the time (and committing the resources - 161 tiles) to do one.
When I was doing a lot of B&W photography I actually learned that I really liked making test strips for exposure settings. I would cut strips of glossy, matte and pearl finished papers; line them up in the print easel, and do a series of test exposures. It became part of my darkroom ritual - shoot a roll of film, process it; expose a contact sheet, process it, dry it; take it out into normal lighting and select which images to print; cut test strips, expose them, process them, dry them; take them out into normal lighting and finally decide which images and which papers and which exposures; expose images, process them, dry them, take them out into normal lighting and see how well I chose. If not so good, repeat process with other choices. If good, frame photograph (or whatever I was doing with it) and move on.

On previous mosaics I've often skipped the grout test, but I've devoted enough time, energy and resources into this one I thought I would do it. I'm really bad about just doing things without this kind of prep. Most of the time it works out because I am good at visualizing. Sometimes I wonder if a test of this sort would have made a good piece even better. So with that in mind I'm taking the time (and committing the resources - 161 tiles) to do one.
When I was doing a lot of B&W photography I actually learned that I really liked making test strips for exposure settings. I would cut strips of glossy, matte and pearl finished papers; line them up in the print easel, and do a series of test exposures. It became part of my darkroom ritual - shoot a roll of film, process it; expose a contact sheet, process it, dry it; take it out into normal lighting and select which images to print; cut test strips, expose them, process them, dry them; take them out into normal lighting and finally decide which images and which papers and which exposures; expose images, process them, dry them, take them out into normal lighting and see how well I chose. If not so good, repeat process with other choices. If good, frame photograph (or whatever I was doing with it) and move on.
Supreme Court Arguments Today
This is being argued in court today.
"Fidelity": Don't Divorce... from Courage Campaign on Vimeo.
Hopefully NPR will give have information on air later today.
"Fidelity": Don't Divorce... from Courage Campaign on Vimeo.
Hopefully NPR will give have information on air later today.
Labels:
community,
courage,
critical thinking,
defiance,
family,
family life,
feminist,
Friendships,
gender,
hypocrisy,
identity,
life issues,
lifestyle,
social justice
19 February 2009
Mosaic Progress - Getting Close
Here is the most recent image of MacKenzie in the Garden with Bees. I will likely finish the glass work between now and Sunday. I have a bit of work to do on the edges, particularly the left edge, that doesn't show in this photograph. It needs to be trimmed about 1/4" so that it will fit in a 24" X 48" frame. I have to pull up about 25 tiles, shave off the 1/4", and replace the tiles, some of which will need trimmed themselves.
Next time I'm going to cut the substrate and build the frame before I start with the glass work. I won't place the substrate in the frame until after the grouting so that I don't have to worry about getting grout where it should not be - I just want to make sure I don't have framing issues like this one.
Next time I'm going to cut the substrate and build the frame before I start with the glass work. I won't place the substrate in the frame until after the grouting so that I don't have to worry about getting grout where it should not be - I just want to make sure I don't have framing issues like this one.
12 February 2009
Mosaic Progress
Today I came home from work feeling rather ill. I think it's just stress. Eventually stress starts to mess up my stomach and I get digestive problems. I crawled in bed with the heating pad and slept most of the afternoon. That helped, somewhat.
Still, I only did a small amount of work on the mosaic - not enough to be worth the effort of photographing it and posting the photo (especially since my internet connection is so very slow tonight). I worked on the smaller sunflowers. I have all the greenery done - there's just the five bees and a couple flower blossoms and then the filling in of the sky, which should go quickly. The tile I ordered for it should be here on Monday.
Instead of working on the mosaic I worked on developing an events calendar that I can drop into a post or the sidebar of a Blogger blog. It's for another project I am researching.
More later.
Still, I only did a small amount of work on the mosaic - not enough to be worth the effort of photographing it and posting the photo (especially since my internet connection is so very slow tonight). I worked on the smaller sunflowers. I have all the greenery done - there's just the five bees and a couple flower blossoms and then the filling in of the sky, which should go quickly. The tile I ordered for it should be here on Monday.
Instead of working on the mosaic I worked on developing an events calendar that I can drop into a post or the sidebar of a Blogger blog. It's for another project I am researching.
More later.
11 February 2009
Damn Ken Starr to the Deepest Hell
This breaks my heart.
I've signed the letter. I don't usually do this sort of thing. I don't know if things like this are effective. It often seems like just a feel good (like driving a hybrid) that really doesn't do what we need (like way less driving around).
This one I signed.
And I love the music.
I've signed the letter. I don't usually do this sort of thing. I don't know if things like this are effective. It often seems like just a feel good (like driving a hybrid) that really doesn't do what we need (like way less driving around).
This one I signed.
And I love the music.
Labels:
community,
dancing,
family,
family life,
feminist,
Friends,
Friendships,
gender,
identity,
inspiration,
life issues,
lifestyle,
partners,
social justice,
video
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